We attended a concert last week at the Danish Guitar Camp, where Carlo Marchione played a collection of music written for various instruments in the 1700s. One of those pieces was an arrangement of the Adagio from Mozart’s Klaviersonate in B-Major K. 570, which I had never heard before.

As soon as he started, I thought…. waitaminute…. this tune sounds awfully familiar… as a Canadian…

wait… what?

Have a listen to the first 10 seconds of the Mozart, then listen to the first 10 seconds of the Canadian National Anthem. I suspect that Calixa Lavallée might have had the Mozart tune in the back of his head when he sat down to work on Théodore Robitaille’s commission.